Hilary White, HOLES, 2024
Sometimes I pretended not to notice it (the black hole), but I knew it was always there. To tell the truth, I started to like having it around. I stuck quite close to it. Not too close, mind you. But it was useful, above all, to have somewhere to put things. Unwanted things. I am attracted to your attraction, he said. (I put it in the hole.) Night by night it got a little bigger.
Holes splices forms of fiction and nonfiction. The narrator, a researcher of limits at an unidentified university, figures her entanglement with an unobtainable love object as the descent into a black hole. Everything she reads seems to shed light on the non-events that comprise their relationship, and study collapses into life as she struggles to separate events and forms, reality and ideation. Holes is a study in thematic fixation, engaging a range of ‘obsessional artists’ (including Yayoi Kusama, from whom the term is borrowed, Lee Bontecou, and Carolee Schneemann) for whom holes—as idea, imagery, philosophy—have proved evocative, inviting, and occasionally obliterative.
‘Hilary White is an incredible polymath, and in Holes she gives us a science, an art history, a philosophy and an extraordinary romance of the hole. It’s a moving, darkly funny account of the ending of a romantic mis-connection against a backdrop of economic precarity, failing infrastructure, and environmental disaster. Through the eyes of White’s narrator, the hole becomes generative and world-ending, marking the limit of language and also its beginning. I loved it.’
–>Sarah Bernstein
Hilary White is a writer and researcher, currently an IRC postdoc at Maynooth University, Ireland, working on a project entitled Forms of Sleep. She co-ran the experimental poetry reading and commission series, No Matter, in Manchester, and co-edited the zine series, Academics Against Networking. Her writing appears in MAP, Banshee, zarf, and The Stinging Fly. Holes is her first novel.
Holes splices forms of fiction and nonfiction. The narrator, a researcher of limits at an unidentified university, figures her entanglement with an unobtainable love object as the descent into a black hole. Everything she reads seems to shed light on the non-events that comprise their relationship, and study collapses into life as she struggles to separate events and forms, reality and ideation. Holes is a study in thematic fixation, engaging a range of ‘obsessional artists’ (including Yayoi Kusama, from whom the term is borrowed, Lee Bontecou, and Carolee Schneemann) for whom holes—as idea, imagery, philosophy—have proved evocative, inviting, and occasionally obliterative.
‘Hilary White is an incredible polymath, and in Holes she gives us a science, an art history, a philosophy and an extraordinary romance of the hole. It’s a moving, darkly funny account of the ending of a romantic mis-connection against a backdrop of economic precarity, failing infrastructure, and environmental disaster. Through the eyes of White’s narrator, the hole becomes generative and world-ending, marking the limit of language and also its beginning. I loved it.’
–>Sarah Bernstein
Hilary White is a writer and researcher, currently an IRC postdoc at Maynooth University, Ireland, working on a project entitled Forms of Sleep. She co-ran the experimental poetry reading and commission series, No Matter, in Manchester, and co-edited the zine series, Academics Against Networking. Her writing appears in MAP, Banshee, zarf, and The Stinging Fly. Holes is her first novel.
108 pages
105 mm x 170 mm
60 mm French flaps (cover)
Format: Paperback
ISBN 978-1-910055-98-4
£12.99
Next Book ->
105 mm x 170 mm
60 mm French flaps (cover)
Format: Paperback
ISBN 978-1-910055-98-4
£12.99
Next Book ->